I’m going to begin my blog
post this week by reminding you of what the syllabus says this course on
feminist and queer theories of sex, gender and the body is all about:
This 3-credit course
examines the diverse and historically varying relationships forged between
biological sex, culturally formulated discourses of “masculinity” and
“femininity,” and the gendered body (which is never only gendered).
Through our course materials, class discussions, activities, and projects
during the semester, we will (1) explore the development
and consequences of the sex/gender binary that so heavily informs modern
Canadian society and, indeed, the world, and (2) learn about the various
arguments made by feminist and queer theorists against the sex/gender binary
with the goal of expanding contemporary human rights discourse to include all
bodies (3345 syllabus, p. 1).
And on p. 2, I
list the broad questions that have guided our inquiry all semester:
- By what means are bodies, inherently influenced by race/skin color, economic and class issues, religious affiliation, and sexual orientation, socially constructed into “masculine” and “feminine” bodies, and what are the consequences?
- In what ways do gendered body practices perpetuate and reinforce extant social hierarchies of power and privilege?
- How, why, and under what circumstances do gendered bodies tend to be shaped, used, and abused?
As is evident
every day on the news, from stories of gay bashing to the continued use of
men’s violent sexual assault of women as weapons of war, to the masculinist
“bigger, better, faster, longer” mentality of neoliberal economics and the
global arms race, the consequences of the SEX/GENDER SYSTEM are overwhelmingly
negative, most obviously for those bodies that, for whatever reason, do not
conform to it. As Pascoe’s concept of the “specter of the fag” demonstrates,
the binary TWO-SEX MODEL and the GENDER/IDENTITY/POWER SYSTEM (Bornstein, p.
42-45) means that “deviant” bodies pay a great, sometimes fatal, price for
their noncompliance.
Where
we’ve been
As you know, in Parts 2 and
3 of our course, we focused on the means by which NORMATIVE FEMININITY and
HEGEMONIC MASCULINITY are constructed and maintained to create the SEX/GENDER
SYSTEM. We based our analysis of these processes on feminist theorist Sandra
Bartky’s theory of DISCIPLINARY PRACTICES to make sense of all the
socio-cultural forces that work individually and in conjunction with each other
to discipline bodies into either “acting like a lady” or “being a man,” with
very little room in between. And we’ve discussed the largely negative
consequences of transgressing these gender norms.
As we’ve read about and
discussed all semester, the SEX/GENDER SYSTEM is a hierarchical binary that
allows only two choices: You can be either a masculine man or a feminine woman.
There are no other options. In the SEX/GENDER SYSTEM, sex = gender, and the
normative characteristics of one gender (masculinity) are significantly valued
over those of the other (femininity).
Of course, we know that
this equation is wrong—and not only because I keep telling you it is! You know
from your own experiences of trying to conform to the gender that’s “appropriate”
for your biological sex that FEMININITY and MASCULINITY are always performances
(whether intentional or not) that exist on a spectrum of fluidity and
multiplicity; gender, to quote Pascoe, is a “constellation of behaviors” (166)
that are not necessarily linked to biological sex.
Sex is
socially constructed, too?!
So, we understand that
GENDER is largely a SOCIAL CONSTRUCTION via (1) a myriad of social institutions
(such as religion, school, families, popular culture, and so forth) and (2) three
basic types of DISCIPLINARY PRACTICES (see Bartky’s article).
And, up to this point in
the course, I have encouraged you to understand SEX as biological/physiological
and, thus, “natural.” This is how beginning Women’s Studies students are taught
to conceptualize these two terms:
SEX = biological,
physiological, natural
GENDER = socially
constructed
But, as I’ve alluded to all
semester, it’s not quite as simple as that. SEX, which everyone believes is
immutable and unchangeable and based on scientific “fact,” is also a social
construction! This is based largely on the notion that science, itself, has been
socially constructed; science is a DISCOURSE (to use POSTMODERN THEORIST Michel
Foucault’s term) that has changed and evolved over the centuries. We’ve seen
this, for example, in The Waiting Room: Victoria is diagnosed with a
medical condition (“hysteria”) that no longer exists and is treated for that
condition using 19th century “cures” that are considered “outdated”
by contemporary medical science. And we see it again this week in the way that medical
science has long participated in the construction of SEX through its use of
both language (i.e., the terms “male” and “female”) as well as surgical
technologies that, quite literally, allow (mostly white, male) doctors and
medical researchers to create “boys” and “girls” from babies that are born
INTERSEXED (intersex activists call this Intersex Genital Mutilation (IGM))
and, most recently, to create “men” and “women” through sexual reassignment
surgeries.
We end of semester-long exploration of gender as a social construction with the realization that so, too, is sex!
Medical science as discourse
DISCOURSE is
a dialogue, a conversation, sometimes a debate, a way of talking, thinking and
writing about something. It is created by LANGUAGE; it is, quite literally,
created by the individual words we use to describe things. DISCOURSE can
include popular media, images, textbooks, scholarly articles, and a
conversation you have with friends at the bar on a Saturday night.
DISCOURSES
are meaning-making practices that tend to appear to be unified and coherent
formations of knowledge and “truth.” However, POSTMODERN theorists argue that
DISCOURSES are never unified or coherent and that they are meant to seem that
way in order to proscribe hierarchical social relations. In other words,
there’s always a politics behind the creation and apparent stability of any
DISCOURSE. And our task in this class has been to disrupt the apparent
stability of the DISCOURSE of the SEX/GENDER SYSTEM, of the false binary that’s
been created between masculinity and of femininity and between male and female.
So, we start
this week from the foundational tenet that Western medical science,
particularly the story it tells about SEX and GENDER and male and female
bodies, is a DISCOURSE.
Science is
one of the most powerful and ubiquitous discourses currently in existence,
because it is so often assumed to be “true” and “objective” and “fact-based.”
But science – and scientists – are rooted in the context of their time
and place, which cannot help but inform the kinds of questions that get asked,
what sorts of research gets funded, and what “counts” as scientific “knowledge.”
And as a result, the discourse of science is often used to support particular
social and political agendas. Who benefits from the existence of only two sexes
and two genders? Why? What’s at stake?
Encountering
postmodernism
Although we’ve been using
it all semester without naming it as such, this week marks our first official
encounter with POSTMODERNISM, which has been essential to the development of
feminist and queer theories. Remember: the prefix “post-“means “after,” so
POSTMODERNISM comes after MODERNISM and is, thus, a response to it.
Let me say a bit more about
that and why it matters:
In basic terms, MODERNISM
relies first on the notion that truth and objectivity exist and that there are
immutable, uncontested “facts” to be learned. MODERNISM relies also on the
notion of “progress,” the story we all tell ourselves as a culture that
knowledge equals progress and that things are always improving.
MODERNISM as a school of
thought reached its hey-day in Western Europe, the U.S. and Canada in the late
19th and early 20th centuries, largely because of the
success (at least for some) of the Industrial Revolution
and colonial
projects
throughout Africa and Southeast Asia. What better proof of “progress” than the
invention of a steam engine that allows faster travel to faraway lands that you
can then conquer and mine for their natural resources?
There’s a great line from
the movie Titanic (1997)
that always grounds my understanding of MODERNISM: The rich people have just
finished dinner, and the conversation all evening has been about the size and
speed of RMS
Titanic,
which at the time of its sinking in April 1912, was the largest and fastest
passenger steamship in the world. Already annoyed in this conversation by
what she brashly proclaims to all in attendance as the “male preoccupation with
size,” Rose whispers sarcastically to third class passenger Jack as the wealthy
men get up from their seats, “Now they'll retreat into a cloud of smoke and
congratulate themselves on being masters of the universe.”
For me, in an ironically postmodern
way, this line, and the movie generally, are fantastic POSTMODERN critiques of
MODERNISM’s unwavering faith in “truth,” “progress,” and the ability of (rich, white)
men to, as Rose says, “master” the known universe via technological innovation
and military conquest. In the end, for all its size and speed, the RMS Titanic
sank precisely because it was too big and traveling too fast. And
thousands of people (mostly third class passengers) died because the (white,
male) designers and engineers had such confidence in their technological
innovation that they didn’t bother to put enough lifeboats on board. So much
for the “male preoccupation with size.”
POSTMODERNISM, as a response
and reaction to MODERNISM, started to take shape after the violent carnage of
two World Wars (1914-1918 and 1937-1945), during which it became glaringly
obvious that “progress” isn’t all it’s cracked up to be. Academics and
intellectuals throughout Europe, Canada and the U.S. began taking a long, hard
look at the high death tolls caused by “new” mechanized warfare and started
asking questions about how it became possible in a “modern,” “civilized” world
for genocide on the scale of the Holocaust to occur. Was that “progress?” In
the wake of such carnage, nothing was “true” anymore. And thus we get
POSTMODERNISM.
POSTMODERNISM questions
language (literally, the words we use and how/why we use them), the politics of
meaning, and MODERNISM’s reliance on binaries (like the SEX/GENDER SYSTEM) and
notions of “reality,” “objectivity” and “truth.” POSTMODERN theoretical
approaches have made possible the development of feminist, critical race, and
queer theories and have, consequently, heavily informed courses like this one.
We’ve been using POSTMODERNISM all semester, but we haven’t called it that
until now.
With all that historical
context in mind, one of the things to keep in mind this week is how, for all
its fabulousness as a theoretical perspective, POSTMODERNISM, “justifiably
skeptical of the idea of a prepolitical individual, […] rejects the
collectivist alternative and the idea of a ‘foundation’ for politics” (Connell
229), and can thus often get in the way of organizing for and achieving social
justice.
What if nothing really is everything?; or, playing with gender to achieve social justice
And here we come to the end of our course, and the big question of how to take all the theoretical stuff we've been reading and talking about all semester and apply it to our everyday lives. This is where the question on Worksheet #7 comes into our conversation. This is also why I asked you to watch Southern Comfort last week in preparation for this week's class. And I'll restate Q#6 from the in-class handout from last time:
- In “Just Say Yes,” Bornstein encourages us to consider the value of no gender, of NOTHING, and in “Zen and the Art of Gender Maintenance,” she wants us to think of gender as a journey without a fixed destination. Unpack her arguments in both these chapters: How do each of these strategies work, and how do they fit together?
This is where we'll start this afternoon, so be ready to move beyond playing with gender and brainstorm some practical strategies for